jake

May 2009

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Dec. 9th, 2009


[info]girlracer

(no subject)

m. took my dog to the park today. dog ran away and wouldn't come back. m. called me, telling me that it wasn't his fault if my dog didn't come home. i advised him to leave and have the dog follow him.

"i tried that, he started following me then ran away again, and once he started following me everyone in the park was like, 'is that your dog? he's gonna get hit by a car!'"

"well, maybe you should go get coffee and leave him there, then he'll freak out that you're not around and when you show up again he'll come right to you"

"yeah I think that's what I'm gonna do"

he walked at least a half mile uphill to his favorite coffee shop in sellwood

an hour later, my dog showed up

my dog has never been to this coffee shop before

i don't get my dog, it's like, he is both the worst dog ever and the best dog ever at the same time



total jerk

[info]theferrett

Pardon Me, Sirrah?

On my way into Bearden's, the finest hamburger joint in town, I saw a man getting carefully out of the car. Inside the car still were three German Shepherds, ears pricked, moving about uneasily.

As I exited, having picked up my takeout order, I walked towards my car - and as I got near his, car the dogs lunged at me, barking and snarling, all three slamming into the window hard enough that the car alarm went off. MEEP! MEEP! MEEP!

The dogs kept barking at me all the way back to my car, and the car alarm kept blaring until the guy came out to shut it off. And then I went, wait a minute - the car alarm? What the fuck is he protecting? The dogs?

Dude, if you have three furious German Shepherds crammed in your car, you do not need your car alarm. Trust me on this.

[info]markmade

The "K" Stands For "Killing-Me-Softly".

Holy shit. The D.E.N.N.I.S. System really works - he bagged the Waitress AND Joan from Mad Men!



And all without popping off his shirt. What a guy.

Seriously, if you're not watching It's Always Sunny In Philadelphia, you really should be. It's the most English of the American comedy shows out there nowadays in that it doesn't even attempt to include happy endings or morals or messages, which is exactly how comedy should work. As much as I enjoy The Office and even 30 Rock, it's annoying how they always end with shots of one of the main characters looking smug because everything worked out after all. NOTHING SHOULD WORK OUT.

"Life is a tragedy for those who feel,
but a comedy to those who think."


2010 is going to be an incredible year. I can feel it deep down in my plums. I am now able to do anything I want in America and I'm looking forward to doing that and occasionally telling you about it on here, in between all of the random links and retarded YouTube videos of course. Most of you are here because you like me ranting about stuff that I hate and/or NSFW junk, so fear not, the internet's only ever going to get more of that. I would never deny you any of it. I love you too much.

[info]calamityjon

#8 - #13 ...

In the interest of wrapping this up this week, here's the next six ...

The Will Eisner Omnibus
W.W. Norton & Co. (Will Eisner) 2005-2007
Wikipedia article

Will Eisner's books have been reprinted many times over the last several decades, but W.W.Norton & Co. was the first publisher to reproduce Eisner's best work in library volumes. The six stories collected in The Contract With God Trilogy and Will Eisner's New York Stories are also available as stand-alone volumes, but I prefer the omnibus editions, which sport bold color covers illustrated by Eisner himself. The overall package is handled with a respect for both the artist and the medium, which was Eisner's own goal for the industry. (It's also worth noting that, contained in New York Stories is The Building, the one comic which can actually cause me to tear up)

A Contract With God
New York: Life In The Big City
Life, In Pictures


The rest behind the cut ... )

[info]calamityjon

Gallery Show News ...

Hey all, first off, the Friends of the Nib show at Howard House mentioned here has been extended from its original three-day run to the entire month of December. (!!) The opening was an immense success, and the art turned in (around 400 pieces!) was gorgeous. If you're in the Pioneer Square area, please swing on by and give it a look.

Additionally, I'm dropping off some more chipboard pieces tonight for a show at Snowmonkey's House of Monsters on Capitol Hill.

Here's what gallery owner Curt Waller has to say about the events at Snowmonkey this week:

This week Snowmonkey is hosting THREE events in a row, Thursday, Friday, and Saturday. PLEASE come and visit us, as the shop has been dismally slow, and we need to do good Holiday sales if we are to stay in business in the new year. And don't forget that Snowmonkey has the BEST STOCKING STUFFERS EVER! Monsters as low as fifty cents each!

THURSDAY night (Dec 10, 6:00- 10:00) is the Capitol Hill Art Walk, and we will be having an "UNDER $50" Art Sale with a variety of our regular artists, including myself, Atticus, Bunny, Jonathan Morris, and Kyle Kesterson.

FRIDAY night (Dec 11, 4:00 - 9:00) we are hosting a special jewelry sale featuring the jewelry of Diane Anderson. who has some consigned work in the shop as well.
Her FB event reads: "Jewelry is handmade by Diane and is hammered fine silver & sterling silver with semi-precious gems. Come say hi & enjoy a glass of wine and celebrate the season!
Check out this super-secret shop location. I will be donating a percentage of profits towards a friend's cancer healthcare. Snowmonkey's is child friendly so bring the whole family."

SATURDAY (Dec 12, 2:00 pm) we are hosting "The Kids are Making it Themselves," presented by Coco Howard. "An exhibition and sale of handmade plush characters from forty or so of Seattle's finest kids." This is a culmination of a creature-making class that Coco has been teaching, and should be super awesome!

Please come check out these events, and don't forget to tell EVERYONE you know about Snowmonkey's!


Snowmonkey's really is great and quirky, and if you're looking for unusual holiday gifts, I'd highly recommend it.

My pieces for the Snowmonkey show:
Robot 1 - Snowmonkey's House of MonstersRobot 2 - Snowmonkey's House of Monster
Robot 3 - Snowmonkey's House of MonstersRobot 4 - Snowmonkey's House of Monsters
Robot 5 - Snowmonkey's House of MonstersRobot 6 - Snowmonkey's House of Monsters



Howard House: (http://www.howardhouse.net) is located at 604 2nd Ave Seattle, WA 98104; (206) 256-6399.

Snowmonkey's House of Monsters: is located at 1205 E Pike, Ste 1A (enter through bluebird).

[info]savagelove

Features: Savage Love:December 9, 2009

I am a 23-year-old male who has been in a relationship with a great woman for four years now. She is an amazing person, and we oftentimes talk about marriage. The issue is this: I have a foot fetish, and she is fully aware of it. She doesn’t like the idea of me kissing her feet or indulging my fetish in any way. We have sex quite often, and I’ve always let it slide that she doesn’t want any part of my fetish. I don’t know what to do, because I’m at a stage in ...

[info]beatonna

hello again




You remember my younger self, right? It's been a while. The younger self comics aren't around much because they're so uh, different. They're odd, I write them as I go.

I spent two days working on a comic that I ended up not liking. Maybe I will fix it later and post it sometime, it happens! Expect another update soon. But for now, not wanting to wait any more days to update, I just made a comic about frustration. Poor little self, I don't always treat her well! And I felt so bad about the broken telescope, I kept it until I was in university.

I still like advent calendars, though.

Dec. 8th, 2009


[info]mrcolossal

Tomb



Click to read from the beginning

So I'm feeling better! I went to a meeting at work that I almost skipped and I drew the whole time. HOLY CRAP am I glad I did that. Right before going to the meeting I was looking in my inspiration folder that I save all of my favorite arts into and I saw a drawing and said "Let me try and draw like that." and so I did and it was amazing. I actually felt my body level up, there was a bright flash, some music played and I got a ton of experience. I almost put it all into Diplomacy but I decided to put it into Cartooning.

Also I figured out a tricky Game Maker bit of code I've been working on for the past 2 weeks and that is wonderful!

Hooray!
Eric
Tags:

[info]markmade

Dream Cramps IRL.

  • For your pleasure, 35 Awesome Christmas Album Covers. Obviously, when it comes to internet articles, you have to be aware that "awesome" very rarely means what you think it means. In this case, "awesome" should probably be replaced with "eerily uncomfortable" ...unless you find that kind of thing to be awesome, in which case you're good to go.

  • All hail Queen Of The Busty Redheads. This season of Mad Men was a little too Joan-less for my liking so I'm hoping that Hollywood comes to its senses and starts sticking Christina Hendricks in everything. Starting with skin-tight shirts.

  • I work in graphic design so this is something that has started to bug ten shades of shit out of me. Hopefully some of you out there will understand the annoyance of Papyrus Watch.

  • I have to assume that most of you didn't see the post I made last night where I posted a video of some of the sexiest beatboxing you're ever going to see. If you had all seen it, I would be currently sifting through dozens of comments, begging me for my time and body. Somehow, that hasn't happened yet - so get on it!

  • Finally, a warning to the classy ladies out there:


[info]theferrett

Colgategate

When I walk into the bathroom, I immediately enter a battle of wills with my wife. I stare down at the tube on the counter, and I grin. For I will emerge victorious.

This battle occurs once about every two months, and then takes several weeks to come to its compressed conclusion. And this battle is named, "Who throws out the toothpaste tube?"

Oh, we're stubborn, both of us. Neither of us wishes to admit defeat by throwing out a toothpaste tube with leavings in it, so the both of us manufacture tactics. There's the "drag the toothpaste across the edge of the counter to squeeze the last of it up to the tip" technique. There's the "use the still-moist bits around the lip" technique. And, of course, we cannot ignore the full-on compress with both hands, as though you were giving this fluoridated compound CPR, all in an attempt to wring the last from its body.

As the end approaches, this tube becomes two-dimensional. I walk away from a crushed strip as flat as a sheet of onion paper, thinking no, my wife can't possibly eke another molecule of tooth-cleaning gel from this.

And yet she does. She has hands stolen from a gorilla, or perhaps from some hydraulic press. And so I grasp it hard enough to turn diamonds to coal, flattening it with the force of a thousand stars, using the very scent of Aquafresh to scrub my rotting molars.

I do not know why we are like this about the toothpaste, and only the toothpaste. If we were this frugal on food, we could subsist for months upon a single stalk of broccoli. Yet this battle is about toothpaste, and only toothpaste, and the winner is the one who walks in and sees that crumpled question mark of a tube discarded in our bathroom garbage can.

I shall triumph. Perhaps this is why my teeth fell out. But does it matter? Victory is within my grasp, if only I can squeeze hard enough.

[info]calamityjon

#7 Lone Wolf and Cub

I need to make these shorter, around a hundred words per entry, because it’s just taking too long. I doubt this’ll break any hearts, because I’d be actually a little concerned if anyone out there was hanging on my every word (if you are, though, bring me a Cadillac).



Lone Wolf & Cub
Dark Horse (Kazuo Koike, Goseki Kojima)
Wikipedia Article

First Comics made a well-intended inaugural attempt to bring this essential Japanese comic to the States, but its cancellation less than a third of the way through left most American fans pondering the eventual fate of Itto and Daigoro Ogami for more than a dozen years.

Weighing in at 28 volumes and almost 9000 pages, Dark Horse’s reprinting finally brings the conclusion to American shores, and it’s jaw-dropping in its violent elegance. Not every story in the collection is a masterpiece – no shortage of the stories are episodic, in which the overarching storyline is secondary to a separate vignette – but the entire collection is an epic worthy of the title; even the most absurd moments (the installation of a gatling gun into a baby cart comes to mind) are handled with an ominous ceremony which renders them mythic. It’s almost criminal that it took three decades to get this book fully translated for American readers.

There are a whopping 28 volumes of this series, but the first three give you the essentials, plus the conclusion - you can search for other volumes from there.

Lone Wolf and Cub Vol 1
Lone Wolf and Cub Vol 2
Lone Wolf and Cub Vol 3

Lone Wolf and Cub Vol 28

[info]theferrett

White Sky

I could see my breath for the first time this season. I stood out in my driveway, feeling the frost under my socked feet, watching the last birds fly away in the stark white sky.

It was beautiful.

[info]superhappy

Pink

Thank you for still using this thing!



(Pink Snow Bunny #9 was supposed to be making fun of 9 Chickweed Ln but apparently no one got it)

Dec. 7th, 2009


[info]markmade

Super Quesadilla Day.

As an early Christmas present to you all, I decided to make a video of myself performing some of my world class beatboxing. WARNING: I am not responsible for any damages caused to your screen by your groin due to the humping your body will feel is necessary to thank me for my mad skills.


[info]theferrett

I Think Too Much

I just saw a porno video named "Born 4 Porn." For most people, that's where it would stop.

I, however, thought, "Well, is anyone really born for porn? I thought that was more of a lifestyle choice." And then I realized I was thinking about the culture I live in, at which point I started thinking about some bizarre caste system where there was "the porn caste." You were born into fucking on camera, it was your goal from day one, and whether you like it or not you will perform.

Then I started thinking of the other cultural niches that would start expanding from that. If you were the only ones allowed to perform on-camera, would the rate of teen sexting go down, lest those cleavage shots be perceived as losing status?

And what about the porn caste actors themselves? I can't imagine it'd be the most pleasurable life, given all the objectification and assumptions you'd be prone to on a daily basis - this would be a dark story, I'm sure - but on the other hand, you'd have a whole culture engineered around enforced bisexuality, massive attention to physical detail (assuming any sort of traditional beauty standards, you WILL work out if you're in the porn caste), a lovemaking style based more on visuals than on actual feeling, and a rather cynical view of people.

How would the porn caste have come about? It'd have to be a society technologically advanced enough to have a set of working cameras, and accepting enough of sex that they'd be okay with having it stratified into their culture, but different enough to have a caste system. I'd have to really think about the history of this place, try to see how that all might have fallen into place.

Would the porn caste be lower on the scale or higher? Or, perhaps, in that weird virgin/whore category of high and low? And what would it be like to be raised in a culture where, from Day One, you know your main goal is to fuck? It'd be pretty goddamned creepy. It would, in fact, be kind of a horror show.

Then I realized I was outlining a story I didn't want to write, and stepped away. And slapped myself. Come on, dude, it's a porno film. You're not supposed to linger like that.

[info]theferrett

My Irritation With Horror

So I'm watching Drag Me To Hell on the Monster Penis System, with surround sound Dolby. And the problem I'm having is with every goddamned horror film in existence:

Step 1: Can't hear actors speaking. Turn up sound.

STEP 2: SCARY THING HAPPENS, WITH BOOM-STING THUNDERCLAP THAT GINI HEARS THIRTY FEET AWAY IN HER ROOM WITH THE DOORS CLOSED.

Step 3: Turn down sound. Dab excess blood from ears.

Step 4: Actors are saying something. What? Probably relevant to whatever's passing for a plot. I should hear this.

STEP 5: SHRIEK! WHAM! BAM! GINI YELLS, TURN THAT DOWN.

Lather, rinse, repeat.

[info]calamityjon

#6: Daredevil (volume 2 by Brian Michael Bendis)

Daredevil (vol 2)
Marvel Comics (Brian Michael Bendis, Alex Maleev, et al) 2001-2006
Wikipedia article

I’ve been a Daredevil fan since I was seven years old – the very first comic book I bought with my own allowance money was Daredevil #162, a Roger McKenzie and Frank Miller recap of the eponymous hero’s origin (A story which marked the cusp of an arc where Daredevil began to make a full-fledged swing from swashbuckling superhero to principled and broken anti-hero – a fine moment to jump on, but that’s neither here nor there). I’ve yet to miss a single issue of the book since then, no matter the creative team and no matter the relative quality.
Mind you, I don’t sit happily through the book’s valleys , but I still endure them, because a lifetime of reading Daredevil has taught me this lesson: Sometimes Daredevil is one of the worst comics on the stands, but if you wait long enough – as much as two or three years, sometimes – it will suddenly experience a run where it is the BEST comic on the stands. The best by FAR.

This current volume of Daredevil started off with a rough jolt under the command of Kevin Smith, who – and this might sound like a familiar problem to those of you who’ve seen his movies – populated his run on the series with some good ideas and one or two emotionally resonant scenes, but had no idea how to stitch these together and ended with what is only technically a conclusion because there weren’t any other pages left in the book. The aesthetically accomplished David Mack and Back To The Future scribe Bob Gale tried their luck individually, but nothing clicked with the new Daredevil until (usually alongside artist Alex Maleev) Brian Michael Bendis’ second go, 2001’s Underboss.

Drawing out the action through ten breathless volumes – including the inspired and claustrophobic Decalogue and the heartstopping King of Hell’s Kitchen – Bendis ran lawyer and part-time vigilante Matt Murdock through hell, constructing a very clever cops-and-mobsters superplot over Daredevil’s battle to keep the unraveling thread of his exposed secret identity from coming undone completely. That Bendis took a lead from Frank Miller – arguably the author of Daredevil’s highest peaks as a character – is certain. That he surpassed him in no few fields is even more so.

The series is predicated on the idea that anyone who puts on a costume and fights armored maniacs on a rooftop cannot be completely stable, but the unhealthy decisions made by every cast member is a real, very human kind of emotional failure or conceit. It helps to have a decent knowledge of Marvel’s 1970s street-level third-stringers, yet it’s otherwise a series well worth investigating, one of comicdom’s few long-running, self-contained dramas.

Daredevil Volume 4
Daredevil Volume 5
Daredevil Volume 6
Daredevil Volume 7
Daredevil Volume 9
Daredevil Volume 10
Daredevil Volume 11
Daredevil Volume 12
Daredevil Volume 13

[info]calamityjon

Posted without comment...

Batman (with facial hair)

[info]theferrett

The Rules Of The Game: Mastering The Art Of Seduction

When I picked up "Rules of the Game: Master the Art of Attraction in 30 Days" in the airport bookshop, I bought it for snark value. I'd already read everything in my carry-on bag thanks to a delayed flight, so why not laugh at the pickup artists?

I knew some of their techniques, made infamous by Barney on How I Met Your Mother: the "neg-banging" of women to lower their self-esteem and make them receptive to compliments, the canned anecdotes passed down from member to member like sacred treasures, the ludicrous formulas they devise ((C - R) + Q + SE = A) to measure attraction (that's the A). So I settled down, readying myself for an analysis of misogyny and male cluelessness.

Imagine my surprise when what I actually found was good advice.

Before I continue, though, let's be honest about the nature of manipulation: everyone does it, and nobody wants to admit it. Some people are really lucky in that manipulating others' reactions comes naturally: they know when to smile, know the right thing to say at a given time, instinctively understand how to make polite small talk. They're naturally gifted in getting other people to like them, which is a wondrous advantage; in many cases, they're no more aware that they're manipulating their audience than a cute baby is aware that he's inspiring "awwwwws" from the crowd.

Then there are the outcasts.

You know these folks, because they come in both male and female flavors. When they walk in to your party, you can feel that awkward pause wash across the conversation. They want to be nice - they are nice - but their smile's a little stiff, they nod their head at all the wrong times, and when they interrupt to say something they either get talked right over or their anecdote, laboriously told and having little to do with what you were talking about, brings an animated discussion to a screeching halt. You dread getting stuck in an elevator with them, because they're too sweet to blow off but they're somehow just a little... off.

They've hardly ever dated. They're continually told they're nice, they'll get their day in the sun - often by the same people who are blowing them off, because they're not evil, but do you want to spend an evening trapped under that awful, expectant gaze?

They don't know how to get people to like them. They suffer for this. They're 24-year-old virgins, wanting wanly to date, making spasmodic attempts at finding a partner and then giving up for increasingly longer periods of time.

"Just be nice," people say. But they've been nice. That generic advice they've been getting for two decades? Hasn't worked. They need specifics about how to make eye contact, how to tell a story, how to stand so they don't emanate that beaten-puppy aura.

And yet, because there's a clear hierarchy in society that hardly anyone ever talks about, if you weren't naturally gifted with charisma and have to develop it on your own, you must be a creeper. People in the know fucking hate hearing about the techniques that break down the fine details of getting people to like you - whether it's that Hooters waitress reading how touching you on the shoulder boosts tips, or the salesman who now knows that mirroring your body posture gets you far more likely to close the deal.

In other words, if you don't know it instinctively, the fact that you had to work to learn what the gifted do naturally is just skeevy. A Hooters waitress who touched you because she "liked" you? Oh, that's cool. The Hooters waitress who touched you for tips? OMG WHAT A HORRID THING. Even if her "like" merely means that subconsciously, she's realized that subtle flirting makes people like her back, and she has instinctively realized that being liked is a wonderful thing?

Is it a conscious effort? Hell, no, but that doesn't mean it's not manipulation.

What this means is that you have a whole class of reading that's gets pre-mocking right from the start, whether it's one of those books on how to land a husband or how to pick up a chick or how to market to a customer. "I wouldn't read that crap," some people say, because changing your personality to get better reactions from people is creepy, even if your personality has left you miserable and lonely. And those people usually say they wouldn't read that crap because they've mastered the rules of society without even thinking, and quietly consider it their birthright.

You either know or you don't. And to those who have the power, anyone who doesn't know is fucked.

But there are still the stranded, those dateless lonely people who drive folks away without ever knowing why. This book is not for you, most likely - it's written for the guys who are thirty and still sweat when they're in a room with a girl, because they don't know how to act. (They don't really know how to act with guys, either, but girls always have that extra societal pressure placed on men where you're supposed to be smooth with them.)

So you know what "Rules of the Game" does for these guys?

It breaks "socialization" down scientifically. The first couple of chapters don't even deal with women at all - it's about dealing with people. It's bare-bones exercises like "Make eye contact with five people today," or "Start three conversations with strangers." It's about breaking down how you dress, how you stand (no slouching!), your voice and how you use it (one exercise tells you to speak into a recorder and listen to yourself, giving specifics on what to look for).

Hell, there are several chapters devoted on how to tell a story. Not writing short stories, but just telling an amusing anecdote. Which is, as I realized, a vital skill in my socializing arsenal, but I'd never thought of how vital it was before now.

And it tells you how to listen, and constantly - constantly - tells you how to pay attention to what people are doing. Yes, the end goal is to get a date - referred to here as "a planned second encounter with a woman you've just met," and the fact that this is viewed as a task that requires thirty days of intensive exercises to get should tell you exactly what sort of guy this book is aimed at.

But in between the various ways you can refashion yourself to seem more appealing to women, there's a surprising amount of discussion about how your goal is to form connections that will be worthwhile even if you don't sleep with the person you're talking to.

For those who are starting from zero? It's all really good stuff.

Furthermore, the scientific approach in the book really takes the sting out of the inevitable rejections. Because when you get dismissed, as any human knows, it's hard not to take it as a rejection of you. But Rules goes out of its way to make excuses for other people - hey, they're busy, they might be wary for other reasons, if someone blows you off it means that your technique was incorrect. You're not allowed to go, "God, what a bitch," but rather are heavily pressured into going, "Well, she completely ignored me - what did I do wrong to deserve that?"

What you're do here is fulfilling quotas. You have to talk to three strangers and get a clothing store recommendation from them. That's all. Do that, and you've won for the day. And if someone won't give it to you, well, that's not the point. Just get your three. That's all you're concerned about: perfecting your technique until you get that bloodless, external goal.

It's an approach that nullifies the emotional damage of getting rejected... And yes, I know women have whole different sets of fear about strangers approaching you, which is entirely valid, but life also isn't a zero-sum game. Being turned down for a date is still something that hurts people, particularly when it comes over decades of rejection - and the exercises take that sting away by making sure you realize that hey, this is all about technique. It's not that they hate your soul, they hated what they saw.

You can work on what they saw.

In that light, the neg-bang becomes entirely different. The neg-bang (which isn't really referred to it as such in this book) is an excuse to get timid guys to do something that's often anathema to them: contradict a woman.

Because denial is a part of flirting, like it or not. If someone's just kissing your ass, agreeing with everything you say and never expressing anything of his own, then that's not flirting, that's an awful suckup. To interact with someone, you have to have the strength to stand up for your beliefs and say, "Whoo, you like country music? Lordy, that's not for me. Couldn't rope me into a George Strait concert if you tried."

To guys that timid, though, who've been taught that "being nice" is all it's about, having them take a conversation that's going well and then - to them - derail it by purposely disagreeing with someone they like is a Herculean act. They require that scientific principle that all but forces them to express their own opinions, because it's not something they'd ever do on their own. As such, there are of course exercises where you are called upon to say, "No, that's wrong." And getting them to do that is a good goddamned thing that will make them better conversationalists.

So what we have here is a book on "seduction" where 80% of it is actually not that at all. Scrape the surface, and what you'll find is a set of advice designed to get people - whether they're women or not - to like you. It's giving you all the little techniques for personal magnetism, something to amplify your personality without necessarily changing it wholesale. There are a couple of people I can think off of the top of my head who could genuinely use this book.

However.

...however.

I can also see where this approach would, over time, go desperately wrong. Because in taking the scientific approach to stave off the pangs of rejection, I can easily see where someone would take these rules and fetishize them.

I do not doubt at all that there are guys who have taken this to the limit of Total Crazy - utter nebbishes, once supplicants who spent thousands buying drinks and never getting a date out of it, who now are flush with power and want to see how far they can take this. I can easily see men running out to play the game of seducing as a replacement for self-esteem, seeing what exactly they can do with this set of rules, forgetting that the rules were guidelines to get them to a better place and not a goal in and of itself. And that is bordering on mysogyny (although given how you're treating the entire world as a scientific experiment for your pleasure, one wonders if it's not sloping towards misanthropy).

So what we have here is a paradox of a book: it's got a lot of solid advice that can take the hopeless to a point where they can, with luck and dedication, become a reasonably popular, friendly person. (And it does it in a way that's going to make them likely to pick it up, because "Rules of the Game: How To Stop Creeping People The Fuck Out" is never going to find an audience. People know they can't get dates; they often don't know they're putting out subtle, off-putting signals.)

But the method of getting those skills is something that can then be ridden beyond the pale to the point where you have a bunch of pathetic guys spouting hoary anecdotes, looking for empty love because they've never had it and now they want it all.

Those who read the book would be well advised to read the anecdotes at the end, wherein Neil Strauss discusses the crazy sex he's had in various countries. Those who've never had that kind of sex may well go, "Holy cow, a threesome! This guy is awesome!" Pay closer attention, my friend; look at how empty his life is, how full of wan longing and pathetic depression his words are, and you'll realize that you're gonna need to hop off of this game before you reach the end.

[info]mananath

an unwanted wildlife encounter

After 13 hours spent on a boat, snorkeling and soaking up the sun, I arrived back into town hungry and tired. More of the latter. I grabbed a quick bite to eat, played with the hotel's resident kitten and then retired to my room.

It was around 10pm. Early. I brushed my teeth and then sat in bed, the mosquito net in place and the fan blowing, to think about my day. I read a bit, a few pages in some Robert Ludlum book that I grabbed from a hostel in Malaysia and by 10:30 I was out, asleep. Getting ready for the dreams that would be fueled by a day that had been largely a product of dreams.

I sleep in my boxer shorts and I usually spend most of the night sleeping on my stomach. Since it has been so hot here I haven't been using a sheet. Last night when I went to sleep most of my skin was bared to the world, emitting the heat that had been built up from the day.

At 10:45 I first felt it.

Tiny claws scurrying across my back. I awoke with a start. I am sure had a camera been trained on me and the footage replayed in slow motion you would see my eyes bulge before I jumped out of bed, nearly taking down the massive mosquito net, as quickly as possible. I might have yelped but I don't remember that. I do remember turning on the lights, anxious to discover what had awoken me.

Seeing nothing on the bed I started to think/hope that it had been one of the cute little geckos that tend to be on every surface around here. But then I started to remember the gerbils I had when I was growing up. I started to remember how the sensation I had just felt seemed really similar to the gerbils when I would let them crawl up my leg or arm.

I grabbed a flashlight, my pocket maglite that has become quite travel worn over the years, and started a more extensive search of the room. I checked in the pockets of the net. I checked near the table next to my bed and then, very cautiously, I checked under the bed. There was nothing. Perhaps I had imagined it all. Perhaps it was some dream that had become very, very real?

Finally I ventured into the bathroom. Turning on the light and looking in a corner I saw a big furry head staring up at me, it's reflective eyes passionless as it refused to look away. It was what I had feared. A big, giant, rat. I flashed my light at it and scared it behind the sink. Out of sight, out of mind? And then closed the door.

I returned to bed but it took over an hour to fall back to sleep and I woke up frequently. Everytime I heard a rustle, a squeak I awoke fearful of opening my eyes only to see a rat staring back at me. In the morning the rat was no longer in the bathroom, leaving me a bit baffled and confused. Had it really happened?

Yes, it had. A rat had walked across my back.

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